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Getting Away with Overuse of C&F or StackingThat said though, we can still overuse C&F at the start of a set if we know how to turn it over quickly and not get caught in a rut down the line. There are reasons that we might want to do this. FOr example, we might need to get buying temperature up in a nasty logistical situation, and then move her somewhere. I do this with a large group of girls walking down a street late at night, girls dancing on a dancefloor, girls in super loud clubs that I want to move somewhere quiet, or with girls who are attracted to AMOGs and I'm on the verge of losing, or even with girls who were unresponsive to my initial approach. And from there, you escalate by either moving them or doing something physical, and then its LEAD LEAD LEAD the conversation with frame control and basic vibing/rapport. So if you get in this rut, the high percentage formula for making it work successfully looks something like: "Opener, C&F, story, C&F, story, C&F, DHV, C&F, story, "My friends and I are going to sit over there. Would you like to join us? Cool. (arm out french promenade style, start walking). What's your name? Cool. That's an interesting name, my ex-GF had that (whatever). You're from the midwest aren't you? No, you're from x-place? Cool, I had blah blah whatever, what do you think of that? C&P playful tease on her answer, then continuing leading, just kidding actually I think that's really cool.. (sit down) Have you ever heard of this club? I want to go there. Actually I'll dress you up in whatever stupid C&F thing and we'll go do whatever stupid C&F thing. (physically escalate even just leaning on eachother or hands), vibe vibe vibe joke joke joke share share share" This is a basic formula, and anyone who graduated high school can learn it. Try it out in the field, as stacking is a useful skillset to have in your toolbox. The problem with stacking is that guys don't use it as a tool, but a general M.O. The problem is not with stacking itself, however, which remains as always a useful tool for particular situations. By Magnus |
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