The Elastic Band Snapback Effect

I remember picking up this Netherlands chick (a 9.5) that I got into bed although she wouldn't sleep with me (cried about her boyfriend, and I failed to disarm it, although NOW I know how and I'll post on those LMR tactics later also). The way I got her was when she was leaving, I said "Oh please, do you think I'm going to chase a girl?"

Immediately she said "Well maybe you should.." It was PURE elastic band effect. She didn't even like me that much yet. It was just her snap back reaction to what I'd said. Although she didn't like me that much yet, it got her to give me some superficial IOIs so that I wouldn't look stupid for following her inside when she was ejecting me. With that time I'd bought, I eventually got her to like me.

My favourites though are the DRUNKGIRL #CLOSE and the I HATE YOU line. They're very important in my game.

I'll post more about this later. ---------------------------

I'm in NYC tonight.. So I rang up some flakes from Kingston (my hometown). They were immediately impressed that I said I was "working in NYC", as they saw the caller-ID from the NYC area code.

But better yet, they'd say "How long are you staying for". And I say "In NYC? Forever.."

They'd freak out and beg me to come back.. haa, funny how fear of loss puts these flakes in line. I didn't call them for 3 weeks, and then it seemed realistic I was never coming back.

I'll post more on flakes later.

btw, I'm still using that "I hate you" as a way to re-initiate sets, and I'm loving it. Here are some routines I've got going lately:

IMPROV GAME IVD (true story):

"I sat in on this improv class with my actor friend yesterday. (Then I describe it in detail in a cool way) Yeah it was just for fun. So we did this exercise where we have to make scenarios in these two seats, and carry out the convo in role playing." Then I do the same criticism on their roleplaying as the teacher there did, which was basically not to stall the convo on a boring topic, but to bring it somewhere, and also to act out the situational stuff and make it believable, not stupid.